Forgive me for mixing up blog posting weeks. In my opinion,
Eliot begins Gerontion by suggesting that he is a bit out-of-the loop,
so to speak. He says that he was "neither at the hot gates nor fought in
the warm rain nor knee deep in the salt marsh." He is living a normal
life, where the "woman keeps the kitchen, makes tea, sneezes at
evening." So the speaker's knowledge of the war is second-hand, which is
an important point later in the poem. For the speaker, “signs are taken for
wonders.” Signs here are knowledge of what happened in the war. So with the
knowledge that the speaker does receive, he says that forgiveness is an
impossibility. History contains a lot of hidden or ambiguous information, as
the speaker describes when he refers to its cunning passages and contrived
corridors. But the information that is given either does not provide an
accurate account or is too late to change one’s opinion of an historical event.
“[She] Gives too late what’s not believed in, or is still believed, in memory
only, reconsidered passion.”
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