Although this complex novel
contains many different messages, for me there was one particular phrase that
resonated deeper than any other themes of the novel. Catharine Sedgwick writes
of a conversion between Rosa and Hope Leslie; saying, “ ‘Oh, this is indeed
foolish and sinful; how can you love him, whom you confess to be so unworthy?’
‘We must love something,’ replied the boy in a faint voice, his head sinking on
his bosom” (page 252). I think this brings an interesting idea to the table, which
is very relatable to the plot. It does seem that each character is bound to
have an extreme and irrevocable adoration for one thing or person. As alluded to by the quote, Rosa is eternally
tied to the evil Sir Phillip. Although she is able to recognize the unhealthy
side effects, which are constantly arising as a by-product, it is undeniable
for her. Not all of the relationships are solely based on romance. The entire
novel offers examples of Cradock’s deep love for his star pupil, Hope Leslie.
It is specifically referenced on page 316 when Sedgwick writes, “he would have
followed her to the world’s end without question.” He sacrifices his life as
well as his morals to protect the whims of Hope Leslie’s uncontrollable mind. I
think the thought that everyone must love something is very ubiquitous, both in
this novel as well as in life.
When thinking about the love connections between the characters, I believe it is important to consider the motivation behind the author’s decision to include these entangled bonds in the novel. Aside from the obvious answer of furthering the plot, I think that the romance aspect of the book is meant to allow the reader to begin to appreciate the hardships of the European forefathers through an emotional connection to the characters. Clearly, Sedgwick had an immense appreciation for the Puritan settlers (page 75), and perhaps she thought the distance in understanding between modern readers and the settlers was too great to be bridged by anything other universal human emotions. Even if it is unlikely that such spectacular love triangles (or whatever polygon you like) existed in the rigid society of Puritan New England, Sedgwick did manage to call attention to a period of history for which she seemed to care a great deal.
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